Category: Film
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Mom
When horror breaks rank and explores the raw realities of postnatal depression, we’re witnesses to something even more terrifying.
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Birdeater
Brooding cinematography, jarring audio and an oddball cast build a sense of tension and paranoia that looms like a black cloud.
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Last Straw
The viewer gutting it out to the bitter end will be treated to some unexpected flourishes that are arguably worth the wait.
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Inherit the Witch
For a few rare moments it all comes together for something approaching chilling, but the finished results are lacking.
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The Vourdalak
A beguiling film that rewards patience, The Vourdalak looks like nothing else that’s graced our screens for years.
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The Beast Within
Stunning cinematography, strong performances and a palpable sense of isolation make for powerful viewing.
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Humanist Vampire Seeking Consenting Suicidal Person
Faith in its characters and directorial vision, rather than gore and gimmicks, elevate this picture into a fable about morality.
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The Coffee Table
The simplicity of its narrative arc is its biggest strength, allowing the script’s jet-black humour to work its absurd wizardry.
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Lovely, Dark, and Deep
Consummately juxtaposes the staggering beauty of its locations with their immense (and somehow suffocating) vastness.
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Lord of Misrule
William Brent Bell's irreverent world throws the viewer into what feels like something between a fever dream and a nightmare.
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Herd
Herd implores us to ask the most important question at the heart of every great zombie fable: who are the real monsters?
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Hunt Club
Hunt Club is an erratic, nebulous mess, but in many ways it perfectly mirrors and satirises the absurdity of toxic masculine ideals.
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Swallowed
A more delicate expression of the body horror subgenre that is closer to reality and, arguably, more tragic and disturbing.
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Bitch Ass
Some memorable performances, but ultimately fails to make us squeal or laugh. Go in with low expectations to enjoy the ride.
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Most Horrible Things
Fails to find the level of wit necessary, yet in spite of so much, Most Horrible Things is compelling, exciting and surprising.
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The Deep House
A suffocating rollercoaster that breathes new life into an enervated subgenre, trapping us into a nightmare that refuses to let go.
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Hounded
Throwing subtlety aside, Hounded is a straight-up lampoon of the kind of snooty toffs that believe the world is their birthright.
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The Witch
Commitment to authenticity creates a genuinely foreboding, oppressive climate that engulfs The Witch and its characters.
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She Will
Haunting cinematography and subtle, constant terror are a perfect reflection of the patriarchy’s oppression of women.
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Friend of the World
Packed with big ideas that outshine its minimal budget, this Troma is daring, interesting and resolutely not for everyone.
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The Righteous
A reluctance to spiral into the supernatural or grotesque prevents The Righteous from landing its message with conviction.
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The Prey: Legend of Karnoctus
For fans of action with a twist of gore and a knowing wink, the laugh-out-loud Prey has a genuine sense of fun at its heart.
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Night Caller
Both authentic and reverent of the genre’s greatest hits, Night Caller is as gleefully distasteful as the films that inspired it.
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We’re All Going to the World’s Fair
A delirious trip into the culture of the terminally online, with a sense of unease that's repellent and deeply relatable.
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Father of Flies
Unreliable characters in an ethereal setting drive this powerful parable on disintegrating families and stolen childhood.
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Agnes
Peppered with deadpan comedy, Agnes is a film of two halves that examines faith, loss, and what it truly means to be possessed.
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The Exorcism of God
Creepy set pieces compound sequences that build to crescendo and do not relent, while quiet moments offer little solace.
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The Beta Test
A cautionary tale for the post-Weinstein generation that lampoons the futility of Hollywood’s facile approach to money-grubbing in all of its glory.
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Amulet
With an allegory that seethes on its underbelly, Amulet is a disturbing and enigmatic picture that reflects a strikingly bleak view.
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Prisoners of the Ghostland
The world Sono builds is engrossing and overwhelming, but the narrative never appears to shift out of first gear.
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My Heart Can’t Beat Unless You Tell It To
Incredible performances drive an emotional weight that oozes a transcendent power guaranteed to haunt you.
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Initiation
Despite some shortcomings, Initiation, particularly in the wake of #MeToo, should be applauded for tackling these issues with gravity.
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Threshold
An impressive slow burner that develops beautifully through to a spine-chilling climax, with unexpected, shocking results.
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I Blame Society
This at times excruciating feminist satire is propelled forward by Gillian Wallace Horvat’s delightfully deadpan delivery.
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Willy’s Wonderland
An unapologetically ridiculous, trippy ride that will satisfy ardent fans of carefree horrors and, of course, Nicolas Cage himself.
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Relic
A nuanced study of dementia and its alienating effects; an exceptional screenplay creates thematic cues throughout that can be felt in every microfibre.
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Train To Busan Presents: Peninsula
Scratches the surface of what the genre is capable of enunciating, but still provides the pales of gore and absurdity that make it so perpetually fascinating.
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Sea Fever
A terse, tight-fisted thriller possessing an inadvertent power that allows the audience to connect with the characters and their dire circumstances.
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The Wind
A highly enjoyable, atmospheric thriller that unfortunately tails off into a mere breeze instead of building into the raging, frenzied tempest it could have been.
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Why Don’t You Just Die!
Peppered with moments of pastiche, Kirill Sokolov's debut has a zany, kinetic energy that will appeal to admirers of off-kilter, graphic and darkly comic cult cinema.
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VFW
With its gritty cinematography, amplified violence and John Carpenter-esque soundtrack, VFW is a gruesomely entertaining bloodbath that oozes with nostalgia.
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Itsy Bitsy
Occasionally eerie but doesn’t surprise us with any unique quirks that make it more than a one-dimensional creature feature.
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Hail Satan?
Lane's documentary delivers a unique perspective: an inverted, transposed battle of good vs. evil that’s farcical and horrifying in equal measures.
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Shed of the Dead
While this feature has a couple of notably gory moments, it seems to ignore the crucial cues that define and distinguish the genre.
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Videoman
Brilliantly tragic and darkly comical performances successfully communicate the nihilistic sentiments at Videoman's core.
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Castle Rock
A compelling plot explores Stephen King’s core themes while creating something truly unique with his mammoth bibliography.